Eyector
von Leandro
Caminathobbit anno 2002
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1. Which is the origin
of the name of the band?
The name EYECTOR comes from
the systems of ejection of the combat airplanes; this airplanes they allow
to save and "ejectar" to the pilot in the event of emergency. Basic means
to push up and we take it as something symbolic.
2. Current formation?
Jorge Marro (Voice), German
Rodriguez (Drums), Gustavo Scibilia (Bass) re-summoned for Fernando Ullúa;
Daniel Bucchieri (Guitar) and Humberto López (Guitar and choirs).
To clarify, at the present time the band suffered the estrangement of its
voice leader and of the last bassoonist for diverse personal reasons and
that we are in the search of the two members to re-begin the pending works.
3. How was the band formed,
what changes happened and for which reasons?
The band started up in March
of 1993 with another guitar player (Ruben Savino) who went away in June
'96 and was re-summoned by Daniel Bucchieri; before a shorter time it was
Gustavo Scibilia and Fernando Ullúa entered.
The band was formed by means
of warnings in rockers and music houses we forget the friends that collaborated
with its contacts.
The changes are never pleasing
or comfortable ... appears ideological differences with the projects that
are in each one and many times these changes are incomprehensible still
for who a while ago see his faces ever. We wait that the one that comes
will contribute something better to the band!
4. What style do they
make and which their influences are?
Our style is basically the
HEAVY METAL, a typical sound of two guitars and voice leader.
The influences are varied
in each one, but we could mention Manowar, Black Sabbath, Iron Maiden,
Judas Priest, Kiss, Deep Purple, Van Halen, etc. pp. At the moment there
are bands that influence in any way: Grave
Digger, Dream Theater, Stratovarius, Rhapsody, Rob Halford, Iron Savior,
Helloween, etc. One plasm what hears and always one tries to reflect their
music.
5. Why do you play Heavy
Metal?
As we count it recently
in our Video "HISTORY" edited, I began listening to Deep Purple, Led Zeppelin,
Rainbow, Kiss, Metallica, Maiden, Judas Priest, etc ... I play for all
that inexplicable reasons of wanting to make music somehow and that is
something so irresistible that you end up forgetting many things so alone
to be in the band, live concert or a stage!
6. What influences of
literary, religious or ideological kind do you have?
Literary they are very much,
going of the fantastic thing to documentate of the History music, magazines
and specialized books.
Religious none for that
we find that the religions sometimes divide instead unite and they promote
a fatuous fundamentalism ... and resentments among the men.
Our idea goes to make music
very heavy, play for who wants to see us and to be very attentive for not
being deceived by the reinforcements that swarm among us!
7. What do you try to
transmit in your lyrics?
Mainly to be reflected through
characters fictious, fighters and warriors; also about the facts that happen
in a future city (what is not so distant) and also speaks of the social
fight of oppressed people. We try a lyrical one subjective.
8. How do you compose
in general?
We start up first with a
rhythmic basic, we add lyrics and then we make the retouches so that it
is something very armed having the claw and force that we want in our style.
9. What material counts
to the band?
All this material is available
on request by mail and with prices absolutely accessible, sending their
letters and mails to the address at the foot of the report!
- Demo - 1994 (studio)
- El Guerrero - 1997 (live)
- El Mazo – 1998 (live)
- La Espada - 1999 (Maxi,
studio)
- Ruta
Al Fin Del Mundo - 2000 (1st CD, Studio)
- Video HISTORY – 2001 (90
min.)
10. Do you have problems
in playing with groups of other styles?
We don't have big inconveniences
in mixing styles, but maybe the biggest problem it is the public or the
fans.
It is known that if there
plays some band that had generated internal resentments, maybe the boys
will not support the mixture with others that are supposed as the enemies
or rivals. No it is neither but neither less than the intolerance sometimes
generated by the musicians and others. On these cases are sometimes preferable
not to mix the points to avoid bigger wrongs!
11. Are there friendly,
brothers or friendship between bands or each one his he makes?
Among bands a tacit friendship
is sometimes generated and a companionship excellent. We prefer him to
be always this way and that we all take ourselves well leaning on each
other in that that you do. There are by the way bands to which the only
thing that they care is to climb and to go up an imaginary stairway stepping
the heads to its road, to care the consequences!
Of solutions we can say
nothing, that each person respects the other one and this depends on the
education that has each one final ... of bills we are 500 cats that they
like this music and we know each other all!!!
12. What do you say of
the arrangements in the places to play?
Here the things are the
other way than Europe for example; there they pay you to play and to make
your art or your occupation (what is to play with your band). The prices
vary according to the recognition of the band ... but, they pay you finally!
The mentality in Argentina
is another ... pay to the place to be able to play with the excuse of a
sound, publicity, etc. and finally of bills the place works due to people
that they take the bands and the quality of attention that he has the site.
We understand that to the pubs they are charged taxes and they have expenses
... but, this should leave the consumptions and door entrances.
It is that nobody thinks
neither he makes respect the transport, practise, expenses and teams of
the bands? Here it seems that always the band it should lose and others
think of winning to costs of the other ones that he has less convoking.
13. What opinion do you
have of the massive means of communication, of the fanzines of the underground
and the radios?
As in all the journalistic
means there is always who have a tendency in very critical, others very
complacents. We prefer an impartial and constructive critic that is good
to add and it doesn't stop to subtract and to generate divisions. Of course,
this comment is very pretty in the theory, but the Argentineans seem that
we are individualistic and mistrust the progress of the other one!
Among other things the big
called magazines have other resources and they can publish a material better
impressed, to differ of the zines that only count the currencies to make
the copies each 3 months. We wish all they can improve and that there is
every time but material for same select! We think idem for the radios that
contribute its effort to diffuse to the bands and the music; all that effort
it is not have economic price.
We are not interested in
the qualification in the critical ones and neither we take them as truths
absolutely; each one is entitled to say as it seems him, each one should
decide that to buy and listen, each one should decide that it is good or
bad for if same ... ok, but ...no one gets lost the respect!!!
14. Do you prefer a stamp
important record-deal or to be self-managed?
We opt to self-manage us
and let us believe EYECTOR PRODUCCIONES, that we can control this way the
distribution and diffusion in direct form. From another way maybe there
are difficulties in diffusion and press, but exactly that is a lottery
that depends on the number of people that you summon and that never prunes
it to control convincingly. There are records seals smaller that try with
less distance to the bands than they sign a contract with them.
15. What do they believe
that it is to be heavy today?
The same thing that years
ago ... fight for the life, our music, our front attitude and not to allow
us to tramp our rights to be free for anybody!!!
16. How is the "heavy"
scene today in your country?
As to all those that little
has and however they fight without lowering the arms in spite of the economical
situation; fighting for their dear beings and they offer their endurance
to the band that they like without nobody can stop them.
17. The Heavy Metal had
evolved or has he/she expanded toward other styles?
The Heavy Metal continues
being there, but of course there are other styles they have been generated
with different structures and composition. In matter it inconveniences
me that to the Hardcore the new Heavy Metal tells him ... H.C and H.M.
are very different, so much like in the voice like in the harmonizations.
It is a very personal and arbitrary tone.
18. What plans do you
have for the future?
To continue growing musically
as band and to diffuse our material in the country and the world like we
have made it until now.
19. Final message?
To greet to all those that
supported, followed us and maintain alive the flame of the Metal in their
hearts. To all them: Stay Heavies in spite of the difficulties ... it is
something that cannot be explained with words, it simply means to live
it!
Current contacts:
EYECTOR PRODUCCIONES
Humberto F.López
Isabel del Maestro 1141
- Dpto. 4
CP (1686) Hurlingham
Pcia. Bs. As.
ARGENTINA
E-Mails:
eyector@terra.com.ar
eyectorprod@terra.com.ar
eyector@keko.com.ar
Tel: (011) 154-096-4582
(cellular) (011) 4624-1337 (Messages to the labor answering machine)
Translation from Spanish
into English: Co-operation of Humberto Lopez and Global Link Translator
with some corrections by rls
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